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Anthologies
| wdt_ID | Editor | Title | Series | Description | Contents | Publisher | Date | Information | Libraries | Abbreviation |
|---|---|---|---|---|---|---|---|---|---|---|
| 515 | Secular music for mixed chorus and men’s chorus; ncludes short biographies of composers; bib; XVII, 188p.. | Caracas: Fundación Vicente Emilio Sojo, | 2005 | Music composed by members of the music nationalist Escuela de Santa Capilla from its inception to the early 20th century; 188 p; corresponding CD available. | CA-STF; MA-HMU; NC-NDD; NY-NYP; WI-GZM. | not in index | ||||
| 516 | ||||||||||
| 517 | ||||||||||
| 518 | ||||||||||
| 519 | Acervo Musical do Cabido Metropolitano do Rio de Janeiro. | Facsimiles & printings of scores of sacred music performed at the Royal Chapel in 19th century Rio de Janeiro. | Includes, among many others, works for Holy Week, such as: José Mauricio de Nunes Garcia: Te Deum; Miserere. José Joaquim dos Santos (Portugal): Matinas de Quinta-feira Santa. | Movimento.com Produções Artísticas; DVD Rom | Sponsored by Programa Petrobras Cultural. The website |
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| 520 | Arranjos Corais de Música Folclórica Brasileiro. | As of 2022, no known copies exist. Some pieces were published afterward and available as free downloads. | 1. Anda à roda (Sérgio Oliveira de Vasconcellos Corrêa); 2. Canoa em dois tempos (Kilza Setti); 3. Carimbó (Ernst Mahle); 4. Chula da cachaça (Marcelo Homem de Mello); 5. Dai-me licença (Sérgio Oliveira de Vasconcellos Corrêa); 6. De pastoris e reisados (Mirian Pitta); 7. De um cego (Henrique Korenchendler); 8. Ema-sariema (Emmanuel Coelho Maciel); 9. Escondumba-a-rê (Antônio Vaz); 10. Forrobodó da saparia (Lindembergue Cardoso); 11. Moreninha, se eu te pedisse... (Henrique Korenchendler); 12. Nigue ninhas (Domênico Barbieri); 13. Ó mana deix’eu ir (David Machado); 14. Pega no balão (David Machado); 15. Que casa é essa? (Antônio Vaz); 16. Saia de babado (Antônio Vaz); 17. Sambalelê (David Machado); 18. Suíte nordestina (Ronaldo Miranda); e 19. Vamo vadiá (José Alberto Kaplan). | BRZ: FUNARTE, 1970s-’80s. | Contact: |
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| 521 | Calchakis en Choeur, Los. | Ariel Breitembruch, Ariel, arr Iris Thion-Poncet: Blanca palomita, SATB ac, 4p; | ACJ France #530081, 2018. | |||||||
| 522 | Ceanteme: versiones corales. | Colección a capella. | Composers: Silvio Rodríguez, Alina Orraca, Beatriz Corona, Liliana Cangiano, and Remé Baños. | Habana, Cuba: Atril Ediciones | [2002]. | |||||
| 523 | Códice Fray Gregorio de Zuola (1645?-1709). | Sixteen songs that originated as voices of polyphonic pieces in Spain. They were passed around Spain and the colonies in oral tradition, and transcribed by Fray Zuola in the 17th century. Zuola was a priest working near Cuzco, who wrote down 17 part-songs that had been circulating in an oral tradition. To 16 of them he set lyrics of secular Spanish poetry of high quality. For the 17th he used a version of the Latin Credo. He only named the composer of two pieces: Tomás de Herrera, and Manuel Correa. It contained about 500 pages. The Codice was rediscovered in a Buenos Aires library about 200 years later, and the music has been reconstructed by numerous scholars. | Contents include titles: Cachua a Duo y a quatro con violines y bajo al nacimiento de Christo Nuestro Señor. Cachua a voz y bajo al nacimiento de Christo nuestro señor. Tonada El Congo a voz y vajo para baylar cantando. Tonada de el Chimo a dos voces, bajo y tamboril, para baylar cantando. Tonada La Lata a voz y bajo, para baylar cantando. Tonada El Diamante para baylar cantando de Chachapoias. Tonada El Huicho de Chachapoias. Cachua Serranita, nombrada El Huicho nuevo, que cantaron, y baylaron 8 pallas del Pueblo de Otusco a Nuestra Señora del Carmen, de la ciudad de Trujillo. Cachuita de la montaña llamadase el buen querer. | Zuola was a monk. found in Cuzco and taken to Buenos Aires by Ricardo Rojas in the century | ||||||
| 524 | Europa Cantat 15. | Héctor Stamponi, arr Emilio A. Dublanc: El ultimo café, SATB ac, 5p. | 136 p. | |||||||
| 525 | Europa Cantat 17. | Peteco Carabajal, arr Martín Palmeri: Te’i v uelto a ver, SATB ac. Albert Hernández: Goza mi calipso, SATB, opt. guitar or piano. | Annie Bank Edition, 2009. | 144p. | EC17 | |||||
| 526 | Europa Cantat 18 | composer Felipe Boero, et al. | Feniarco | |||||||
| 527 | [Lamas, José Angel.] Partituras: para piano. | Sacred music for mixed choir in Latin, with piano accompaniment (originally with orchestra). | J.A. Lamas: Popule meus, soprano soloist and SAT choir; Salve Regina, soprano and alto soloists and SAT choir; O María, offertorio, soprano solo and SATB choir. | Caracas: Ediciones del Congreso de la República, | 1975 | 50p. | ||||
| 528 | Libro de coro, Archivo Catedral de Purbla; Convento del Carmen Villa Obregón, Distrito Federal, Mexico. | Microfilm of twelve choirbooks of sixteenth and seventeenth century sacred music sung in Latin, for unaccompanied vocal ensembles. | Mexico City, Library of Congress, Photoduplication Service, Branch Microfilm Laboratory, Bibliotecca Benjamin Franklin, 1949-1950 (3 reels, 35mm). | 1949-1950. | DC-DLC; IL-CGU; LA-LUU; MN-MNU; SC-SUC; TX-IXA. Spain-BNM. | LibroCoro | ||||
| 529 | Madrigales y canciónes corales [VI]. | Músicos contemporáneos de Venezuela, v6. | Caracas: Dirección de Cultura, Univ Central de VEN, | 1967. Originally published as Madrigales y canciónes corales de autores venozolanos (Caracas: Editado por el Ministerio de Educacion, 1964). | AZ-AZS, AZU; CA-CFI, CFS, CLA, CSA, CSH, CSJ, CUI, HDC; FL-FDA, FMM; KY-KLG; LA-LRU; MI-EEM, EXW, EYW; NE-LDL; NY-COO, YSM, ZIH; OH-CWR; TN-TKN; TX-ILU, [M1547.M15] IXA; UT-UUM; WA-WAU. | VenMCC6 = MCV6 | ||||
| 530 | Madrigales y canciónes corales de autores venezolanos, 2: José Angel Lamas. | Músicos contemporáneos de Venezuela, v2. | Twelve short secular works for unaccompanied SATB choir. | J.A. Lamas: Cogeremos flores; Cancioncilla sevillana; Evohe; Arco iris; El mar inquieto; Al alba; Cara bonita; Despertar; Todo el dia fue nuestro; Mariposa de invierno; Alla va un encobijado; Galeron. | Caracas: [Gomez, for ] Institución José Angel Lamas, | 1956 | 58p. | IN-IUG, IUL; TX-IXA. | VenMCC2 = VenMCV2 | |
| 531 | ?? | Malograda fuentecilla (Twelve Colonial Songs of the 17th Century). | transcribed by J. T. Wilkes. | DC-DCU. | ||||||
| 532 | Morning Sing: WSCM 8 Copenhagen 2008. | Publication for Eighth World Symposium for Choral Music, International Federation for Choral Music convention in Copenhagen, 2008. | Richard Egües, arr Conrado Monier: El Bodeguero, SATB, 6p. Arsenio Rodriguez, arr Conrado Monier and Electo Silva: Sun, sun, paloma, SATB, 3p. Etc. | Carus-Verlag Stuttgart, 2008 | 2008 | 106p. | WSCM8 | |||
| 533 | Mujeres en la música: obras para piano, obras corales, música boliviana. Colección Compositores bolivianos, libro 12. | Bolivian folk and popular music by women composers; includes biographical information about composers. | Siete miniaturas bolivianas : para piano ; Ronda de Paz : para coro y grupo instrumental / Teresa Laredo -- Juana Azurduy : para solistas y coro de voces mixtas / Lola Sierra de Méndez -- Himno a Bermejo ; Canto peregrino a la Virgen de Choquaya / Dolly Villena de Borda -- Himno panamericano / Asunta Limpias de Parada -- Verano ; Flor moradita ; 15 de Abril ; Amancaya / Lilia Trigo de Calbimonte -- 9 de Diciembre : vals; Pachío : vals / Julia Barbery Ibañez de Molina Mostajo -- Recuerdo de los Andes : mazurka ; La brisa del Uchumachi : polca-mazurka de salon ; El alto de la alianza : mazurka / Modesta Sanginés de Uriarte -- Huayño quichua ; Danza Guerrera India ; La cacharpaya : cueca ; Mecapaqueña : danza aymara de La Paz / Augusta Justiniano de Gil. | Madrid: Editorial Música Mundana Maqueda: 1999; | 95p. | MM.Bol not in index | ||||
| 534 | Música brasileira para coro juvenil.Música brasileira para coro juvenil. | 12 works by Brazilian composers for 3-4 voices a cappella or with instrumental accompaniment, with texts in the public domain, with inspriations from northeastern Brazil. Jazz, pop, and funk styles can be included. Some use body percussion or stage elements. The music was performed and recorded in Rio de Janeiro. | Partial list of composers: Caio Senna, Fernando Ariani, and Paulo Malaguti. | FUNARTE | ||||||
| 535 | Música Nova do Brasil para Coro s Capela. | As of 2022, no known copies exist. Some pieces were published afterward and available as free downloads. | 1. Arca de Noé (Ernst Mahle - Vinícius de Moraes); 2. Aleluia (Bruno Kiefer - Lara de Lemos); 3. Ave-Maria (Claudio Santoro); 4. Belo Belo (Brenno Blauth - Manuel Bandeira); 5. Belo belo (Ronaldo Miranda – Manuel Bandeira); 6. Canção de Barco (Ricardo Tacuchian - Mário Quintana); 7. Canção da primavera (Murillo Santos - Mário Quintana); 8. Canto/ciranda (ao) Chão (Aylton Escobar - Ilka Laurito); 9. Chormaphoneticos Op. 58 (Lindembergue Cardoso); 10. Com som sem som (Gilberto Mendes - Augusto de Campos); 11. Cussaruim em dois tempos (José Vieira Brandão - Manuel Bandeira); 12. Em tempo de terra e de boi (Henrique de Curitiba - Carlos Drummond); 13. Invocação litúrgica (Jaime Cavalcanti Diniz); 14. Na rebancêra do má (Sérgio de O. de Vasconcellos Corrêa); 15. O morcego (Nestor Cavalcanti - Augusto dos Anjos); 16. Os sinos (Carlos Alberto Pinto Fonseca - Manuel Bandeira); 17. O vento no canavial (Ernst Widmer - João Cabral de Melo Neto); 18. Passos da paixão (Willy Corrêa de Oliveira - Affonso Ávila); 19. Peça coral n. 1-M.30 (Emílio Terraza - Haroldo de Campos); 20. Poema (Mário Ficarelli - Gonçalves Dias); 21. Rezação (Reginaldo Carvalho); 22. Rola mundo (Fernando Cerqueira - Carlos Drummond); 23. Rosa rosae (Raul do Valle - Carlos Drummond); 24. Segredo (José Penalva - Carlos Drummond); 25. Topologia do medo (Cirlei de Hollanda - Haroldo de Campos); e 26. Três cânticos de amor (Almeida Prado). | BRZ: FUNARTE, 1970s-’80s. | Contact: |
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| 536 | Peças para coro, Concurso de Corais do Rio de Janeiro 1978. | Four pieces for various types of choirs. | Jorge Antunes: Plumbea spes, children’s choir. Fernando Cerqueira, Haikai, equal voices. Brenno Blauth: Manhã do amanhã, youth mixed voices. Murilo Santos: Alleluia, adult mixed voices. | Sistrum, Journal do Brasil/INM FUNARTE. | 1978 | |||||
| 537 | Schola cantorum. Suplemento musical. | Organ music and sacred choral music, published as a supplement to a professional journal. | Morelia, MEX: | |||||||
| 538 | Acevedo Vargas, Jorge Luis, compiler. | Antología de la Música Guanacasteca. | Includes choral arrangements, song for voice and piano, and unaccompanied song melodies with texts. | Arr by Jorge Luis Acevedo V., Víctor Vargas V., Marco Dusi, and S. Eisenstein, p23-50. Jorge Adevado Vargas: Indio; Retahilas; Campesino; Canto indio. Anonymous, arr Marco Dusi: Indio enamorado. Anonymous, transc. and arr S. Eisenstein: Arrullo. Anonymous, arr Jorge Acevedo V.: Callejera; Indios promesanos. Jesús Bonilla, arr Jorge Acevedo V. and Víctor Vargas V.: Aquel arroyito. Anonymous, arr J. Acevedo V.: El conejo. | Costa Rica: Univ de CR, | 1981 | 140p; score online |
Ac.AMG | ||
| 539 | Aceves, Raúl, Francisco Belgodere, ed. | México virreinal: arias para voz y piano. | Print and downloadable score; 18th century sacted vocal music in Spanish or Latin, from Mexico, with piano accompaniment; | Zumaya [Sumaya]: Alegres luces del día; El de Pedro solamente; Como aunque culpa; Oh muro más que humano; Oy subre arrebatada; Ya la natureleza redimida; Como glorias el fuego; Sí a aquella nave. Vicente Ortiz de Zárate: Quae est ista. Anónimo: Aria a San Pedro apóstol. | Guadalajara: Universidad de Guadalajara, | 2002. Electronic reproduction by HathiTrust Digital Library, 2010. Digital master by Digital Library Federation, 2002. | 84p. | CA-CUS, STF; MI: HathiTrust; NM-IRU; PA-PAU; TX-IXA, RCE. Mexico: Univ de Ciencias y Artes de Chiapas (Tuxtla Gutierrez). | Ac.MVAV |